The background music in Malik, for instance, built an aura around FaFa's Ali Ikka. The background plays an important role in elevating the reel action. The voice cast, which includes the likes of Mamatha Mohandas, Vijay Babu and Innocent, serves its purpose. The makers could have explored her rapport with Jayasurya a bit more as it could have helped the film find wider patronage. He expresses a lot through his body language, which is no mean feat. Shritha makes her presence felt despite the fact that she doesn't get much scope. Sunny too follows a similar path as it highlights the 'social' nature of man in a subtle yet easy-to-follow manner.Ĭoming to performances, Jayasurya is sincere and tries to internalise the character. Kuruthi, for example, had socio-religious undertones and made fans question the distinction between 'right' and 'wrong'. Malayalam cinema is synonymous with thought-provoking narratives that convey a strong message.
This alone helps it stand out as there has been a deluge of thrillers from Malayalam cinema of late. While Mahesh Narayanan's movie was a thriller, this one plays out like a drama. Sunny too was filmed during the pandemic but it can't be compared to the Fahadh Faasil-starrer as the two movies are set in different spaces. Moreover, the optimistic 'Adithi', played by Shritha Sivadas, comes across as a foil to the brooding protagonist.ĬU Soon garnered a fair deal of attention as it was shot during the Covid-19 lockdown with limited resources. The track involving Jayasurya's exchanges with a female guest quarantined on the floor above his adds tenderness to the reel action. The scenes depicting his battle with 'withdrawal symptoms' after failing to procure alcohol have been handled with a fair deal of maturity.Ī film like Sunny could so easily have morphed into something dark and depressing but that luckily doesn't happen here. In another, his attempts at reaching out to a former friend go in vain. In a moving sequence, he gives a call to a number his father once used. In Sunny, he manages to give the viewers a protagonist who is broken and then highlights each aspect of his personal life. This became amply clear when he extracted a stellar performance from Mammootty in Varsham, a film about the protagonist's attempts at keeping his son's name alive after his untimely death. Ranjith Sankar is no stranger to moving dramas that explore one's battle with grief. The simple yet relatable plot reaches its potential mainly because of the effective execution. As the story progresses, the viewers learn more about his troubled personal life.
It begins with the protagonist signing into a hotel for institutional quarantine after arriving in Kerala from Dubai. The film is set in Covid-19 times and revolves around a failed musician, played by Jayasurya. Director Ranjith Sankar's latest movie Sunny is a reasonably engaging drama that caters to those fond of experimental realistic cinema.
0 kommentar(er)
